Right and Left

Right and Left

I recently attended the launch of ‘Anzac Day, The New Zealand Story – What it is and why it matters’ written by Philippa Werry. Inside this lovely publication, I found this brief but potent quote from Bertrand Russell.

“War does not determine who is right – only who is left.”

Extraordinarily profound and yet how simply stated. How I admire that. The best writers of course, are able to do this. Meanwhile, I blog and find myself making extra long sentences to explain myself. But of course, the very best writing cuts to the heart of things without a great deal of noise.

Right now, I’m working with an editor on my Greek manuscript. It’s been a long time coming. In fact, I started my research back in 2007. Six years on, I am beginning to believe that my novel is ready. Working with an editor is the most amazing thing. Recently Craig Cliff blogged on this very topic.

I see pages of my manuscript with the word ‘tighten’ down the left-hand column, or even more specifically, the words “Do we need this?” Indeed, we frequently do not! Removing the debris I call it. A good editor enables a writer to look better than they really are. It’s fascinating to see where you have gone off piste often to indulge something, to show off, to weave in some vignette that is really irrelevant, but you just can’t help yourself (and often this vignette is not fiction, and frequently it fails).

Oh what bliss, removing the debris. Actually, I’ve just removed one whole character. Just like that. He’s gone. He was a sub-plot that was never working. My readers had already told me this, but no one had suggested killing him off… that is, until my editor came along. Murder your darlings. He was someone else’s fictitious darling actually and I’d rather liked him and I’d invested far too much time in him – and now he’s gone. Perhaps he’s going to have another life some day in another novel. But right now I am so relieved he has gone.

Who is right and who is left? My Dad was on Crete during the Second World War and in Poland as a POW for four years. I am part of who is left. My novel is about the Greek girls (well one fictitious girl actually) who came out to New Zealand in the sixties as part of a Government scheme. This close relationship between the two Governments developed as a result of the New Zealand support for the Greek campaign. My novel explores aspects of the Greek Civil War. It is about who is left.

Today, there have been two bombs in Boston. We’re all shocked. I notice on facebook the many posts and the outpouring of concern. We feel united in the horror. But too, I was reminded by my son, a peace activist living in Seoul, that today, not just in Boston, but in Iraq, many people have been killed in a series of bomb blasts in the past few days. It shouldn’t matter where the bomb blast happens, the horror should be equal. But the human condition is such, that we identify with what we know and who we know. It’s impossible to feel constant outrage and compassion for every act of violence – we would despair each day, and so we choose our sorrows and our outrage.

I’m looking forward to Anzac Day. How odd that I do. But it is now a part of my history. It is my father, it is my childhood. It is full of autumnal memories. A greyish shift frock newly made, my new cinnamon stockings, the parade. My Dolly heels caught in the cracks of the pavement outside the war memorial which was also the cinema and the library. Dad in his shiny brown shoes, wearing his war medals hand-sewn to his suit by Mum.

Yes, he would get pickled. We learned to dread Anzac Day. Dad would disappear to the RSA. He was a flagon man, but on Anzac Day, he drank whisky. Looking back, perhaps he had a right to get pickled. And now he’s gone, and I love Anzac Day, because of him. I share it with my granddaughter who loves to wear the red poppy. I’ve purchased the Book on Anzac Day for her with a dedication from the author – but it will be some time before she truly knows what the red poppy signifies.

The Way We Live Now

The way we live now

I am reading Anthony Trollope’s ‘The way we live now’ a free to download classic on my Kindle and evidently (according to Wikipedia) Trollope’s masterpiece. I can’t comment on that, as I’ve not read any of his work before. It is a fascinating book and feels so contemporary in so many ways in light of the recent demise of so many respected financial institutions, the queries around appointing ex politicians as Directors of commercial enterprise and all the associated pitfalls of modern capitalism.

But too, I am captured by the comedy and pathos of Lady Carbury, her willful blind spots and her shameless literary ambitions, the delightful satire of book reviews… can’t help chuckling. I can’t wait to discuss the book with my book group who are among the smartest women I know and of course, they will have plenty to say, and I shall report back. In the meantime, from my hammock, on Sunday evening, as the sun went down, inspired by Lady Carbury’s efforts at self-promotion…

Reading Trollope from the Hammock

From the hammock

Lego from the garden
sits atop
the chopped sleepers
my raspberry Hydrangea
has faded
in the face of summer
Kate Sheppard, the last rose
has buds
there’s not a breath of wind
just birdsong and the faint
traffic
in the distance sound
of the southerly
Lady Carbury
keeps me company
on my Kindle, I worry
for her
for me, for all mothers
their gardens, old Lego
new weeds
our lemon tree losing leaves
although he pees under it
some times
we Skype our family
here and overseas
imagine
that if we stay up all night
but we’ve done that to death
my glass
of Pinot Gris reflects
an upside down tree
a dog
barks half heartedly
and mist rolls in
our pines
went out by helicopter
leaving bleached beech
corpses
there are screams too
from fathers louder than
birdsong
And silent mothers make
school lunches in the dark

Maggie Rainey-Smith copyright 12/03/2013.

Art to Heart with Edvard Munch, Gustav Vigeland, El Greco and Picasso

All of my art experiences, well the ones that have touched my heart, have been more or less accidental. I think it is this stumbling into art which has had the most impact on my life. I didn’t grow up with a specific artistic or literary education, but one of the biggest influences was of course religious art, iconic images from my Catholic childhood. It was astonishing for me as a young woman travelling through Spain in the seventies to step into a chapel in Toledo and find the original El Greco’s which I knew intimately as a child from the Columban Calendars that hung in all good Catholic homes. I had the very good fortune that day to be travelling in a group that included a young Australian priest in training, on temporary leave from the seminary, who took me on a guided tour of the El Greco’s. And, confession, it was many, many years later, in Kalamata, Greece in 2007 that I finally realised, attending a movie on the life of El Greco, that of course, he was ‘The Greek’, and not a Spanish artist after all.

It is a very fine thing I do believe to uncover these secrets accidentally, rather than academically.
A friend recently emailed me a link to two beautiful images by the artist Edvard Munch… ‘The Madonna’ and ‘The Voice’ and

Edvard Munch

Edvard Munch

interestingly, the poems written by Munch about these paintings (from a book by Bente Torjusen – The Words and Images of Edvard Munch which is copyright, or I’d include the poems on this blog). The poems are exquisite – unnecessary you could say, for what is art, but a visual not verbal experience… but beautiful as well, because the lines of the poems are expressed in different colours (the mind of an artist). It reminded me of my first encounter with Edvard Munch, in Oslo, January 1973. I was on my way to taking up a job as a waitress in the Haukeli Mountains and staying in Oslo at a youth hostel. I found Munch and Vigeland. They’re pretty hard to miss in a small city the size of Oslo. It was snowing too, that much I remember. I was in love then with all things Norwegian and still hold huge affection in my heart for that time in my life. It was here I first learned to ski and to haltingly speak snippets of another language.

Gustav Vigeland sculpture

In Paris in 1997, with my youngest son who back then was just fifteen, together we literally stumbled upon the Picasso Museum. We had just previously laboured our way through the great halls of the Louvre in search of the Mona Lisa, almost running through a room of Rubens – so overwhelming was the art experience that we couldn’t take it in.

This delightful accident, the Picasso Museum, remains an unforgettable art experience both the intimacy of the setting, the sharing of it with my son and the lack of expectation enabling a true heart to art experience. I purchased this poster advertising an exhibition which now hangs in our bathroom and the other is a print which hangs in our bedroom.

Years ago, when my children were preschoolers, and we didn’t have a lot of money to decorate our humble Edwardian villa in Brooklyn (not New York, but Wellington), I used to drive my olive-green Mini down to the Wellington library and fill the boot with art for hire. It was a lot of fun and a cheap way to dress our house and the great advantage being you never got bored as you just took the picture back and got another one. These were reproductions such as Vermeer’s ‘Girl with a Pearl Earring’ and Van Gogh’s ‘Bedroom in Arles’ but oh the joy racing through the Louvre to see the Vermeer original. I know, I know, they’re practically clichés, but they looked lovely on our wall.

At primary school in the fifties, one of my most humbling experience was being part of a team in class where you had to run to the front of the room and draw something – my task was to draw a hand – all I had to do was place my hand on the blackboard and draw around it to get a fairly reasonable image – but I didn’t have the confidence or imagination for that, and instead I froze at the board mortified, unable to even decide how many fingers a single hand held. It’s one of those frozen moments of life that you never forget. My own version of ‘The Scream’. Nowadays, I teach English as a second language and I find being unable to draw a big advantage – I have no shame and I attempt to draw and the students laugh and through their laughter they name the object that I have so poorly tried to represent – you see my lack of shame unlocks their language.

My friend has reminded me of my introduction to Edward Munch, my astonishment and attraction to ‘The Scream’ before I knew it was a famous painting, and too, of the joy of Frognor Park, my very first up close encounter with stone brought to life. Coming from New Zealand in the early 70’s I was too, a teeny bit startled by so much public nude abandonment (even in stone)… I loved the girl with the flying hair and now I am a grandmother, and I see my granddaughter, her plaits flying as she dances for me in our garden.

Mainlining Mansfield

(And a link to my report on the recent conference in Wellington on Beatties Book Blog).

I overdosed recently. A strange drug set me reeling into literary dismorphia. I was mainlining Mansfield at the time, being drip-fed abstracts over a period of three days. I began to hallucinate, imagine myself tubercular, talented, a genius with a Dad who had enough dosh to keep me afloat – something like a yearly stipend. It felt lovely for a while and I scribbled feverishly in my computer notebook, aware that if the National Library did suddenly want my feverish jottings, that I should spell check now and then. But too, I knew, my odd use of commas and ellipsis would be found exquisite, rather than extravagant and that whole new abstracts would be written, eventually, years after my demise, so I didn’t worry… well, I did a little – but not enough to stop me.

I knew too from listening to more erudite and analytical writers than myself (before the dismorphia and hallucinating) that words like ‘little’ had no place in the literary canon. I used Google and an on-line thesaurus to find alternatives… and ‘not big’ seemed highly original and after all I could embed the link to the Merriam-Webster on-line dictionary and thereby avoid any plagiarism charges.

Mind you, (replace with an expression of ‘so what’), I’ll swear I heard scholars insisting that plagiarism was a writer’s right, that ‘The child who was tired’ by Katherine Mansfield, was merely a flattering reframing of Chekhov, perhaps even an improvement on. There was no proof they said that KM had even read the English version of this short story, as if somehow, the Russian rendition would render her English version authentic. Aha, I imagined momentarily channeling Anna Akhmatova ‘s poetry for my blog, claiming never to have read the English translations. But I was distracted as two eminent scholars began arguing over whether or not KM (and therefore me at the time), had contracted Gonorrhea. Someone very clearly wanted proof one way or the other. It was suggested this was impossible without an exhumation, and I didn’t want to offer up myself, my own medical records… for scrutiny…

Someone took me to task too for living through the Russian Revolution, the First World War and the very first General strike in the United Kingdom – as if these things mattered to my literary efforts. Hadn’t I achieved enough with ‘Bliss’, this one story, an almost manifesto for the liberated woman’s libido. Some bright spark even mentioned a fabulous pun running through the story, the pear/pair tree and the various flowerings/pairings, and I have to say I was delighted to claim this subliminal reading as my very own intention. This is the wondrous thing about my fans re-reading me – yes, I know, I know, I’m not KM. But you see, I was mainlining, and the effect was the same.

I grew tired though, after three days, and on the fourth, I witnessed the staging of a small play about my short story ‘At the bay’ – just a stone’s throw from the beach – writers leaping up from their flat whites to appropriate my words. Two grown men pretended to swim in the Pavilion, as if it were the sea and Linda, Granny and Beryl muffed their final lines, the great moment when Stanley is finally GONE. I saw one of the writers viciously punch the other to prompt her… it was that punch I think that bought me to my senses, and made me realise, I was just another wannabe, hanging on the coat-tails of the Colonial Shop Girl of literature and I realised I didn’t want to swap lives after all. I like being me, here ‘at the bay’, alive, able to swim in the sea without Jonathan Trout… I wasn’t prepared after all for a Faustian pact, to be famous and dead and remembered, instead of here, today, alive and aspiring.

I’m doing the twelve steps now… having had a literary awakening, recognising that I am powerless in the face of KM, and I’ve asked for forgiveness for my own literary shortcomings, admitted that the critics at times have been right about my failings, and I’m trying to remove all defective characters from my stories…
I’ve abandoned the excess, found the limit of myself, but I continue to write… and I always will…

From Maleme to Mapua

I was inspired to think about this seemingly random link after reading a poem. The poem is called “Alive together” and it is by Lisel Mueller. The poem begins thus:
Speaking of marvels, I am alive
together with you, when I might have been
alive with anyone under the sun,
The poet goes on to imagine being a woman in a different time, married to different men, the idea of who we are being both random and minutely specific to a multitude of histories. I like this poem and I have recently been reading ‘Crete – The Battle and the Resistance”’ by Anthony Beevor. It is a very good account of a fearsome battle for control of the island in Greece during the Second World War, told from many sides of the story, the Germans, the New Zealanders, the British and the Cretans. My Dad was in the 5th field Regiment, a gunner, in the New Zealand 22nd Battalion defending the airport at Maleme, the point at which strategically the battle was lost, when it should have been won.

The German graveyard at Maleme

Stone crosses on the hillside among the graves at Maleme

The graveyard at Maleme of German paratroopers killed in the battle of Crete

If, they say, General Freyberg had not been so hell-bent on the idea of a seaborne invasion… if Colonel Andrew (according to Beevor), “had gone forward before nightfall to observe the coastal trip and the western slopes of Hill 107…” … so many ifs. I imagine too, if they’d all had I phones, perhaps a few texts to and fro with some pictures attached… but then too, it seems Freyberg was very concerned about revealing to the Germans that the Brits had cracked their code, and so I guess I phones can easily be hacked . And too, imagine instead of young men dropping from the sky (like Icarus) in their parachutes, if instead, the Germans had used drones. The account of hand to hand combat between the Germans, local Cretans and the Kiwis is fierce and brutal. It seems that the Geneva convention did not apply as far as the Cretans were concerned. They were civilians defending their own patch. Oddly, the Germans imagined that the Kiwi soldiers would not fire upon them as they descended in their multi-coloured parachutes. But of course they did. And I have it first hand from my Dad, how extraordinary it was, to be firing at such easy targets, but too, how sickening. I read in Beevor’s account, how the gunners were told to aim low at the falling body because of the rapid descent, thus ensuring an accurate hit.

New Zealand graves at Suda Bay

Suda Bay cemetery where the Kiwi soldiers lie

But in spite of this, the battle was won by the Germans, although they suffered extraordinary casualties. The paratroopers were young men (the German elite), some as young as sixteen and thousands were slaughtered in the first two days of the battle. So, what brings me to me Mapua? What is my connection? It is really rather random as I mention at the start (but then you see, don’t you, how random all of our histories really are).

Mapua wharf with the ferry that crosses to my favourite childhood beach, Rabbit Island

Ruby Bay

Ruby Bay

I was reading about the Battle of Crete, perched on the seafront at Ruby Bay (a hop skip and a jump from Mapua where I drank my morning coffee and had these thoughts) and I realised that if the 5th Field Regiment had held the airfield, I may not have existed. The defence of Maleme would have required a further battle – my Dad instead of retreating might have died in the ensuing violence – or so I told myself under the hot Tasman sun. That he survived to be taken POW and then shipped on cattle trains to Poland to spend four years as a POW – not to mention the subsequent 600 mile march in snow at the end of the war … well, that is neither here nor there, because this is what happened and so I know he survived all of this. But too, at each step along the way, there are a multitude of ifs to consider.

And as a result of my father’s war experience, I am fascinated with Greece, with the Battle of Crete, and too, I am ‘alive together with you, and you, and you (my family, my friends, my readers)… and there’s something both thrilling and fateful about this very being alive. If the chance came, would you change your life, be an entirely different person? As a child I used to look at people and try to imagine what it might be like to be them and then be terrified that I had wished too hard and what if I did become them and I didn’t like it and then I couldn’t get me back. Whatever befalls us, we may wish it had not, but do we ever really want not to be ourselves? Perhaps some people do (and here one can imagine a child in the slums of Mumbai). I am currently reading ‘Behind the beautiful forevers’ by Katherine Boo. Yes, perhaps if I was atop a rubbish dump, scavenging for a living, I may well be happy for my wish to be granted… but thankfully in my own fortunate life … it is enough to be ‘alive and together’ …
the poem ends thus:

alive with our lively children
who — but for endless ifs –
might have missed out on being alive
together with marvels and follies
and longings and lies and wishes
and error and humor and mercy
and journeys and voices and faces
and colors and summers and mornings
and knowledge and tears and chance.

Isn’t it just a grand poem? I have Diana Gilliland Wright of Firesteel to thank for her blog which alerted me to this beautiful poem and of course, if you wish to read the entire poem, click this link to Firesteel.

The ghosts of Christmas past

It was the little bit of bitumen stuck to my shoe that started this post. A sultry windless day this week and the temperature had risen to the mid twenties. In Wellington, this is a heat-wave. I lifted the irksome piece of road from my shoe and saw the tar. Lovely black tar, the warm ooze from the road that summer sometimes brings. I grew up in Nelson where in summer the tar oozed all season long. This piece of road stuck to my shoe reminded me of streets shimmering with watery mirages, the impulse to lie down, lay your cheek against the bitumen. Of course we could back then. There weren’t so many cars.

A week earlier I made my Christmas cake. I know, it’s late, and I should have made it weeks ago. It’s a ritual that I love. I use my mother’s recipe which is something now of a mini legend. I’ve lent it to friends over the years and the title is ‘Maggie’s Mum’s Christmas Cake’. She put a teaspoon of curry powder into her cake and so do I. This lends my cake something of the exotic, although of course you cannot taste the curry in it. Once a year, I honour my Mum when I make this cake. And I mix the cake in my late Uncle’s Gripstand Mixing Bowl which I suspect may well have once been my grandmothers.

When I stand in my kitchen running my fingers through the dried fruit to make sure the flour and spices and fully incorporated, I have time to indulge the ghosts of Christmas past. It’s aided of course by the whiff of brandy in which the fruit has been soaking. I recall my mother decorating our Christmas tree with a concoction of egg whites that she flicked at the tree randomly using I think the back of a spoon to create our very own fake snow. I remember too vividly, the night my brother had woken and disturbed Santa. He’d seen Rudolph disappearing up the chimney, and the only evidence was the fallen fire-screen.

And then too, there is the boiling day when we were going to Grandma’s for Christmas lunch. My mother’s youngest bachelor brother was in town. My maiden aunt who lived with Grandma had loaned her Morris Minor to her brother. He’d gone to the pub and hadn’t come back. We didn’t have a car and we were relying on my aunt and her Morris Minor to transport us and all the food that my mother had prepared up to Grandma’s house. And so as memories are made, we traipsed instead on foot, with plates of trifle and pavlova in the hot sun. Mum’s trifles were legendary (sponges made without the aid of Fielders cornflour, whipped with a hand beater, baked in the coal range). Her pavlova was the crunchiest, deepest, softest in town. She smothered it with cream, and cherries, and pineapple and ginger and walnuts. It wasn’t all that far to walk really, perhaps a couple of miles but much of it was up-hill. I’m not sure how the whipped cream fared, or what trouble my uncle got into, but it’s a Christmas memory.

We always got a book for Christmas – maybe the latest School Friend or Andy Pandy annual for me, and one year Meg, Jo, Beth and Amy of “Little Women”came into my life.

I recall buying a bicycle bell for my Dad from McKenzie’s Department Store one year for Christmas. We always shopped at Woolworths or McKenzies and I guess they are the equivalent of the two dollar shop nowadays. One of my favourite Christmas present as a child was a brand new swimsuit from a maiden aunt who came from Wellington. She was a waitress at the St George Hotel and worked there for 40 years during its hey-day. Up until then, I’d worn a hand-me down (from my mother or some other adult) pair of togs that filled with water and gave me a bosom, and at five years of age, that was too embarrassing. The swimsuit is a Christmas legend – it was covered in pink and green Christmas bon-bons, had a wee flared skirt and a pink bow at the back. I’ve never forgotten it.

My Christmas past is filled with maiden aunts and uncles who arrived and left, trips to the beach or the river in my aunt’s Morris Minor, car sickness, ice-creams, the long slide, midnight mass, Mum’s mince pies made with flakey pastry instead of the short pastry, minted peas, new potatoes, and the back door open with the afternoon sun shining on the new green lino. It’s pea-picking with my friends as a teenager, weeding strawberries, picking boysenberries, saving up for Christmas …it’s the Mardis Gras the beachcomber ball sunshine and sunburn, swimming holes and bike rides, fishing off Rocks Road, the endless hot summers of Nelson.

And too, it’s the whiff of brandy, the butter, sugar and egg yolks, the egg whites beaten to soft peaks and folded into the cake mixture, the dusting of baking powder at the bottom of the thickly paper-lined cake tin. It’s the wrapping of layers of newspaper around the cake tin and tied with string, so the cake won’t burn at the edges. It’s spreading the mixture and packing it firmly into the four corners with a small hollow in the middle to ensure when it cooks, the cake will rise to a perfectly flat shape for icing. It’s rolling out the almond icing and nibbling the left-over’s, and nowadays, it’s waiting for my granddaughter to arrive, to decorate the Xmas tree.

We have our own new rituals that we are creating together.   She buys me a Christmas decoration every year and I buy her one.   We decorate the tree together and we bring out the papier-mâché reindeer that I bought for my boys (one of them her Papa), and she adds pretty coloured ribbons to the reindeer’s antlers each year, to update his image.  The ghosts of Christmas past, the deceased; my Mum, my Dad, my brother and all my maiden aunts and uncles are with us.

Emmylou Harris and a guava lipstick

Emmylou Harris and a guava lipstick

Last weekend, I went to see Emmylou Harris and Her Red Dirt Boys play at Vector Arena.   My girlfriend and I met each other in Auckland for this special event.   I listen to Emmylou when I drive my car.   She is my driving music, the background to my many journeys from the bay to the city and home again.  I sing and hit the steering wheel in time to her music.   I try to hit the high notes and imitate the soft throaty whisper.    I’m a fan.   When she sings ‘From Boulder to Birmingham’ I feel her loss, I love the man she mourns, even though I didn’t know Gram Parsons.   She’s seen me through a broken heart, my own.

So, because we live in different cities, we took this weekend out to be ‘girls’, to do the girly weekend away thing and to go to the Emmylou Harris Concert.    We shopped.   We’re older girls now, so we shop differently.   And too, we noticed that not only do we shop differently, but the shop assistants treat us differently.   One of our rituals is to buy a lipstick when we shop together.   It means that if we buy nothing else, we have the fun of knowing that yes, we bought a lipstick on holiday.   Sometimes we’ve been known to buy the same colour lipstick.    The last time that happened it was the colour Raisin.    Raisin has served me well now for several years.  It’s my fall-back lipstick, my almost match my lips lipstick.   But my friend deserted Raisin years ago.

We started at one counter which I won’t name.   This is not a name and shame sort of story.   But any slightly older woman will recognise the story.  Gorgeous young things were seated having their eyes done.   Beautiful young things, who didn’t need eye shadow and certainly not the amount being applied.   We vacillated, trying lipstick colours on our hands.   My friend has a lovely tan and I have pale freckly Irish skin.   The same lipstick turns a different colour on our different hands.   We wiped, swiped and rubbed off the test stripes.   We waited patiently for the assistant on the beauty counter to notice us.   We wiped, swiped and rubbed our hands with tissues.   And then in desperation, we moved to another counter.

And it was here we met the kind of young girl that every older woman buying a lipstick needs to meet.   She joined our fun.   She coaxed and encouraged us.   We took risks with pale and deep and dark and we talked of tones and we spoke of blue-pinks and pinks that are not blue, the true pinks.

“You don’t think it’s too blue and wrong do you?”

“No, it suits you.  I know what you mean, but it’s not too blue.”

Guava is the colour I chose.   Guava, like a split fruit with the ripe pink bleeding.

“Oh, I like it.”

And I do, I really do, although I probably really should have stuck with Raisin – except it sounds shrivelled, and Guava sounds delicious.

Years ago, we might have purchased a dress each.   A rash, exciting, and expensive dress, encouraged by one another, the sense of beauty, the sense of yes, this dress, this dress…   But now we’re older.   We have grandchildren.    We run into bookshops and toy shops the way we used to run into dress shops.    I bought an educational word game for my granddaughter – a German version of scrabble for a five-year old.   We shopped for Christmas decorations for our grandchildren. We shopped for our husbands, looked for boxer shorts that didn’t grip, or weren’t too tight in the legs, and not too shiny, silky and silly.   Neither of us was sure exactly of what size to buy – we took the boxers from the hangers and we stretched them outwards asking one another – will this fit?   We still weren’t sure.  We know each other’s husbands, but we still weren’t sure.   How big is comfortable?    Will they really want boxers or should we be rash and buy the stretch jockeys that look so good in the picture?

And then, en route to find a restaurant, we found a shop selling new, but old fashion.    We stumbled into fabrics that spoke to us.   I found mustard corduroy and it swamped me in something visceral like hot bread, or brewing coffee, but stronger more emotional.    I fondled the mustard corduroy, and I knew the feel of it, the look of it and the colour I could taste if you can taste colour.

We spoke of crêpe Georgette as we fondled a dusky pink frock remembering Vogue, Butterick and Simplicity (especially Simplicity).   The fabrics were not imitations, but copies, identical copies of fabrics we knew.   I saw my mother’s wedding suit – the one she wore to my brother’s wedding and a year later to his funeral.   We both recognised frocks we’d worn to the ‘dance’.     We wanted to wear them again, to go to those dances, but we agreed to settle for Emmylou Harris, the concert, that night.

                Before the concert, we went looking for somewhere special to eat.   The waterfront beckoned, but the tapa bar we chose was closed on Sundays.  Our hearts were set on tapas, but we’re older now and flexible.   We found a bar with a view of the harbour and seating upstairs.  We watched in delight as gorgeous young things in tight-fitting frocks knocked back cocktails.   Nowadays we have to consider what food we order and what drinks we drink, not just how much and how many.   But we were up for bubbles.     And bubbles we had… one glass each and then we eyed the menu for food that wouldn’t be too acid, too fatty or just too…

We walked from the café to the Vector Arena, joining the swarms of baby boomers.    How fascinating to be entirely in your own genre.   It was extraordinary.    The ‘once were sexy brigade’.   The pretty girls crumble the first.    Once pretty faces are now pretty lined.   The handsome girls come into their own.   A handsome face on a woman is a very fine thing when you’re over sixty.    Tall is good, because everyone has shrunk a centimetre or so, except for the very tall men and the very tall women, or perhaps even they have.

It’s a wonderful thing to be sitting among so many ‘contemporaries’ – people who were there during the sixties and seventies and who love Emmylou Harris and her music.    There is something quite reverent about a crowd who remembers.   How lucky are we?   To be there, and to share, and to enjoy the atmosphere – all those pacemakers, titanium hips, the enamel (backed in heavy metal) smiles, and barely a Botox babe in sight.   Well, the lights were dim, but you know when you rock up to watch a girl like Emmylou with her unabashed grey hair (it looked white to me) – my friend thought she might have highlights.

She was the highlight.   She sang I think for two hours, barely stopping to breathe – every song you wanted to hear and she kept the best till last – my favourite – ‘From Boulder to Birmingham’ – after two standing ovations and a stomping encore call – this amazing woman rewarded us.   My heart broke when she sang ‘My Name is Emmet Till’ from her new album.  I cried when she sang ‘Darlin Kate’.  She spoke about being a girl from Alabama who never imagined seeing a Black President.    I think she spoke for all of us.

AWESOME Emmylou and awesome too, the ageing baby-boomers who came out in their droves to listen to her.

Ursula LeGuin, High Tea and the Menopause

Ursula K LeGuin, High Tea and the Menopause

Recently, I attended a high tea for a friend’s 70^th birthday.   We were all girls and we dined on dainty sandwiches, sipped tea in china cups and ate pretty cakes.

My friend is a writer and she asked if her friends would bring a poem they could read at her birthday.   She especially wanted something that spoke of age and being a woman.   I took my ‘Menopause’ poem and read it.    It seemed to strike a chord.

I’m in that genre now, the one made famous by Ursula Le Guin in her essay on ‘The Space Crone’.  In fact I think I’ve passed through the planet Altair already.  My poem is a response to Ursula’s essay.     It had its debut in New Zealand Books, Volume 17, Number 2, Issue 78 in the Winter of 2007.     I see that New Zealand Books will soon be celebrating the launch of their 100^th issue at Unity Books in late November.

Menopause

(Inspired by an essay by Ursula K. Le Guin “The

Space Crone” 1976).

Ursula urges me to

become a Crone

to not bemoan

my declining hormones

to wear grey hair

catch a space ship

somewhere out there

so I can share

my wit, my wisdom

my years of fertility

raising children

(ensuring my humility)

so the fourth planet Altair

can learn about the human race

from a woman (once a virgin)

and now a Crone  (on loan)

But I’m all for my inner space

and I won’t go grey

well, not yet, not today

there’s plenty of time

because I still want to play

to flaunt in the twilight

my age now my highlight

on the cusp of something

almost a Crone – not quite

ready for Ursula’s throne

but not afraid either

thumb out – hitching a ride

not looking back, nor

particularly forward

pausing as they say – oh,

but not for men

for me.

©  Maggie Rainey-Smith

Frosty nights and Andy Williams

 

Television was black and white back then, but my memories of that time are colourful.    My very   first memory of TV is Lassie, when I came to Wellington in the school holidays sometime in the early sixties and stayed at Houghton Bay with my cousins and their neighbour had a TV.   I briefly caught a flash of dog and screen, barely a minute or so, but I do know it was a very snowy picture.   And then I had a friend called Janice in my hometown whose father I think, had the very first TV set in Richmond.  He was receiving pictures from Australia – well at least I think he was.   There was no Kim Dotcom back then, so he must have had his own satellite dish even then.

We lived at No.43 and my best friend Liz who lived at No. 53, had a TV.   On Wednesday nights I would walk to her house to watch Dick Van Dyke and Peyton Place – practically the double-feature.  I loved when Dick Van Dyke fell predictably on the split level floor (how flash, a split level floor), and of course, we adored Mary Tyler Moore.    As for Peyton Place – well even back then I found Mia Farrow aka Alison McKenzie, tedious with her long blonde hair, sitting on the swing, insipid and uninspiring – whereas Betty Anderson with her dark and dangerous smouldering – we loved her  and so did Rodney Harrison (Ryan O’Neal) – and as for Dr Michael Rossi… we loved him even more.   Oh, it was True Confessions in pictures and we couldn’t get enough.   As for Constance Mackenzie; surely a cougar before they were invented.

Once, my friend Liz and I visited a friend whose father sold television sets.  This was even before Liz’s family owned a television.   We were invited as a special treat to watch TV and there were strict instructions about how to view television.   The screen was covered with a blue filter that was supposed to lessen the glare of the snowy picture.  But the father of our friend instructed us that we should look up and around the room while the advertisements were showing, to rest our eyes.   And we still laugh about this – the strange sight of three young girls all glued to the television (the Patty Duke Show if I recall correctly) and whenever there was a commercial break, we would all obediently roll our eyes around the room, trying to avoid eye-strain, and desperately trying not to laugh.

But my fondest memory, in my early teens, is walking up the hill from our house to my Aunt’s to watch TV with her on a Saturday night, about a mile on a gradual incline.  My grandmother had died, and my Aunt was one of those women from a certain era, the youngest of a big family, the only one with a secondary education and able to earn a good income, and so she ‘stayed home’ to look after her parents.   My Aunty Del and I would watch the Andy Williams show together, sitting on her recently upholstered Sanderson floral chairs (the rose and peony pattern I think).

I can’t find the exact floral pattern, but I think it was the rose and peony pattern but I’m sure there was more blue and grey than green, but it’s funny how memory works, I may be wrong.

We would eat chocolate sultana pasties, and drink tea brewed strongly with plenty of milk so the tea turned tan.   Grandma’s front room had been all rust and gold with autumnal Axminster carpet.   When Grandma died, Aunty Del had recovered the floor with mushroom pile and a new Queen Anne glass cabinet through which to view her Lladro.   I didn’t covet the Lladro but I drooled over the red and gold coffee set which my Uncle (the roguish lovable bachelor brother) had won with his race horse ‘Arrow Royal’ at the picnic race meeting one summer.    When he died, in a lonely pensioner flat near the Wellington Zoo, and I went with her to clean his flat out, we found his jockey colours, a brilliant emerald green coat.  He didn’t ride the horse, but he had kept the jockey’s colours.   I remembered him most for the half a crown he would toss us, when he came home to Grandmas now and then for a weekend, from Wellington.

This week, I heard on the news that Andy Williams has died, and on the radio or the TV, I keep hearing  his crooning version of ‘Moon River’. It’s taken me back to my Grandma’s house with the hydrangeas out front, to remembering those Saturday nights with my Aunt, when television was a novelty.  When a man with a voice like Andy Williams was moonlight and pastel Sanderson all rolled into one. The TV station, from memory the only one, closed down at 11.00 pm I think.  We waited until the very last moment, until the screen turned to snow….  and then my Aunt would slip a hot water bottle into her bed, put on her slippers and we’d cross the frosty front lawn together to her green Morris Minor.   She’d drive me home under the inky canopy when even home fires couldn’t mar the star-filled skies.  Mum would leave the porch-light on and I’d sneak into my room, and into bed, a hot water bottle already there waiting for me.

Working in the Sixties

I recently had a poem published in ‘Typewriter’ an on-line journal for emerging poets edited by the delightful Elizabeth Welsh, a poet and passionate supporter of other poets.

The poem is about my first job really, as a shorthand typist with the Post Office in Nelson.    That’s quite some time ago now.   But it’s got me thinking about those times and how it was I ended up there and what it felt like.    You have to cast your mind back a bit to the 60’s when girls like me had to choose between being streamed ‘professional’ where you could study French and German and go on to become perhaps, well, ah… usually a nurse, or a teacher.   And then, if you wanted to learn to type, you had to choose ‘commercial’ and never the twain shall meet.

I wanted to be a reporter, as I recall, and I knew that I would need shorthand.   I didn’t know anything else and to boot, I had a very glamorous single (maiden or unclaimed treasure as she called herself) aunt, who worked at the Post Office.   It was my aunt who came to our house and tested my shorthand prowess which did reach 120 wpm at one stage.   It was she too, who gave me my first portable Olivetti typewriter to practice on.

Years later, when I was running my own recruitment company in the late 1980’s and the share-market plummeted, I recall meeting young women from private schools whose ambitious parents and teachers had refused them anything so ordinary as learning to type.   Oddly though, at this very point in history, the computer keyboard was becoming integral to most people’s working lives.  Being a touch typist, as I am, is a big advantage to anyone, male or female.

Yes, I learned to type at Waimea College, one of the first co-ed schools in New Zealand.   I sat in the commercial class with a bib over the typewriter keys so that now I can rattle off a book review or a blog without having to look at the keys, or to do the one-finger peck-peck that so many people are reduced to.   At one stage in my illustrious typing career (admittedly on an electric typewriter), I could do 100 wpm typing.   Indeed – I cannot vouch for absolute accuracy at this speed.     On an old manual typewriter, I think the top speed was 60 wpm to pass my Public Service examination.

Back then, in my first job, we sometimes had to type with up to six carbon copies, and that meant if you made a mistake, you had to erase all the copies one by one (Twink I think – I can’t remember) and I often ended up covered in carbon – no long-sleeved white-blouses for me as I stretched across the carbon copies.    I was always glad that I wasn’t a legal typist as they had to type perfect copy without erasures or amendments.

I wasn’t a super-star shorthand-typist because I had a tendency to day-dream.   Back then it was considered a lack of focus and I struggled with this, but now realise that probably I was bored with the content of much of the stuff I had to type and didn’t pay sufficient attention to it.   Yes, back then, I felt somewhat of a failure when I had to do”retypes” and watch my rubbish bin fill to overflowing.   I think I might have even smuggled out some discarded copy under my cardigan to avoid the embarrassment of yet more wasted paper – goodness knows what I did with it, but we did have a coal range at home that Mum cooked dinner on, so perhaps it went in there.

We used to clean our typewriters every Friday in the afternoon before we knocked off.   I had the uncanny knack of dismantling bits and pieces of my typewriter (unintentionally) as I cleaned it.   As I recall, I ended up with several pieces of my typewriter sitting in a basket beside my typewriter – and fortunately back then these old machines were so sturdy, that it continued to function, minus these missing parts.

I also operated the switchboard when it was my shift to do so.

That meant headphones on while typing and stopping mid-flight during a memorandum and transferring calls from outside to inside extensions – the criss-cross of cords as described in my poem – here’s the link.  You could eavesdrop to if you were that sort of girl, but of course I wasn’t!

From memory there was talk back then, that typists pushed the equivalent of ‘tons – tonnes’ per day, with the sheer pressure required to push the old manual keys.  I know our hands were held higher than they are for a modern electronic keyboard and you couldn’t just peck-peck.    Unless you were doing a stencil and you had to be very careful when pushing the letter ‘o’ as if you pushed too hard you cut the ‘o’ completely out and ended up with a black dot on the page instead of the lovely circular letter.

Recently, a librarian responsible for choosing books for the Catholic library service throughout Germany made contact with me.   He’d read a book review I had written for a book he had also reviewed and liked.   He had also read my blog about teaching English to German High School students.  And too, I think because of the Frankfurt book fair and the current interest in New Zealand writing.   I asked him about Catholic libraries and he gave me a very brief history which evidently go back to the second half of the 19^th century.   “In those times Catholics were a (huge) minority in the Prussian dominated “Kaiserreich”.  Most of them lived in rural areas, worked as craftsmen and farmers and only a few have had an academic education, most of them were priests. Some of those academics saw the need of education for as many Catholics as possible.”  He said that after World War II, the libraries broadened their scope and now run more or less like any local library with a wide range of contemporary literary fiction, children’s literature, as well as gardening and cook books.

This reminded me of how it was back in the 50’s and 60’s in New Zealand.  I’m only quoting hearsay and legend, but it is said that many private companies wouldn’t hire Catholics and so by default many were in the public service.  My Aunt and two of her brothers worked in the Post Office and it seemed only natural that I would follow in my Aunt’s (to me glamorous) footsteps.   You see she drove an apple green, hand-painted Morris Minor, while we didn’t own a car.  She also earned more than my Dad (he was a carpenter) and she had an amazing wardrobe which included many pairs of stiletto shoes.    What else was there to aspire to?

I never regret the Commercial path that I took.    In the early seventies, I worked in London, Newcastle, Manchester, and Edinburgh as a Temp Secretary – and late in life, I’ve found my feet as a writer – typing has proved a most fortunate and useful skill.   I never did get to be a reporter, but I am now doing book reviews and blogging as well as working on my fourth novel – so yes, typing turned out to be the right thing after all.